Lalgudi Jayaraman, a legendary violinist in his own lifetime has gained the title with his spell binding technique and mastery over the instrument. In the sphere of Carnatic music, Sri
Lalgudi Jayaraman is a name that is instantly associated with musical excellence in melody, rhythm, style and technique.
Born in the lineage of an illustrious disciple of the great saint musician Thyagaraja, Sri Lalgudi Jayaraman inherited the essence of Carnatic music from his versatile father late V R Gopala Iyer who trained him meticulously. At the early age of 12 he started his musical career as an accompanying violinist. Being endowed with rich imagination, quick grasp and an ability to adapt easily to the individual styles of the leading maestros in Carnatic music while accompanying them in their concerts , he reached the forefront in rapid strides. The rich concert experience he thus gained, coupled with sheer hard work and perseverance and the strong urge to give original expression to the musical ideas surging in him, he emerged as a solo violinist of rare brilliance.
He revolutionised the style of violin playing by inventing a whole new technique that is designed to best suit the needs of Indian Classical Music and establishing a unique style that came to be known as ‘Lalgudi Bani’. His flawless and fascinating style, graceful and original, yet not divorced from traditional roots gained him numerous fans. This multi dimensional personality have to his credit composed several ‘Krithis’, ‘thillanas’ and ‘varnams’ and dance compositions, which are a scintillating blend of raga, bhava, rhythm and lyrical beauty. The unique feature about Lalgudi is that his music is very expressive. Lalgudi’s instrumental genius comes to the fore in the form of lyrical excellence.
He has been in great demand for accompanying vocalists, and has accompanied such great vocal virtuosos as Ariyakkudi Sri Ramanuja Iyengar, Semmangudi Sri Srinivasa Iyer, Sri G. N. Balasubramaniam, Alathur Brothers, Karaikkudi Sambasiva Iyer etc. His accompanying wizardry and lightning quick responses to the various challenges posed by the main artistes remain unsurpassed. His accomplishments are numerous but chief of them is the fact that he was the first to bring international attention to the Carnatic style of violin playing. He also introduced a new concept of musical ensemble with violin, venu (flute) and veena in 1966 and gave several outstanding concerts.