LEO TOLSTOY Biography - Fictional, Iconical & Mythological characters

 
 

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LEO TOLSTOY
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Count Lev Nikolayevich Tolstoy listen (September 9 (August 28, O.S.), 1828 - November 20 (November 7, O.S.), 1910) was a Russian novelist, reformer, pacifist and moral thinker, notable for his ideas on nonviolent resistance and his contribution to Russian literature and politics. As a count, he was a member of the Tolstoy family of Russian nobility. Tolstoy is widely regarded as one of the greatest novelists of all time.

       

Early life

       

Tolstoy was born at Yasnaya Polyana, the family estate, the fourth of five children. His parents died when he was young, so he was brought up by relatives. Tolstoy studied law and Oriental languages at Kazan University in 1844, but never earned a degree. He returned in the middle of his studies to Yasnaya Polyana, and spent much of his time in Moscow and St. Petersburg. After contracting heavy gambling debts, Tolstoy accompanied his elder brother to the Caucasus in 1851 and joined the Russian Army. Tolstoy began writing literature around this time. In 1862 he married Sofia Andreevna Bers, and together they had thirteen children.

       

His marriage has been described by A.N.Wilson as one of the unhappiest in literary history, and was marked from the outset by Tolstoy on the eve of his marriage giving his diaries to his fiancee. These detailed Tolstoy’s sexual relations with his serfs. His relationship with his wife further deteriorated as his beliefs became increasingly radical.

       


Career

       

was one of the giants of 19th century Russian literature. His most famous works include the novels War and Peace and Anna Karenina, and many shorter works, including the novellas The Death of Ivan Ilych and Hadji Murad.

       

His autobiographical novels, Childhood, Boyhood, and Youth, his first publications (1852-1856), tell of a rich landowner’s son and his slow realization of the differences between him and his peasant playmates. Although in later life Tolstoy rejected these books as sentimental, a great deal of his own life is revealed, and the books still have relevance for their telling of the universal story of growing up.

       

Tolstoy served as a second lieutenant in an artillery regiment during the Crimean War, recounted in his Sevastapol Sketches. His experiences in battle helped develop his pacifism, and gave him material for realistic depiction of the horrors of war in his later work.

       

His fiction consistently attempts to convey realistically the Russian society in which he lived. The Cossacks (1863) describes the Cossack life and people through a story of a Russian aristocrat in love with a Cossack girl. Anna Karenina (1867) tells parallel stories of a woman trapped by the conventions of society and of a philosophical landowner (much like Tolstoy), who works alongside his serfs in the fields and seeks to reform their lives.

       

Tolstoy not only drew from his experience of life but created characters in his own image, such as Pierre Bezukhov in War and Peace, Levin in Anna Karenina and to some extent, Prince Nekhlyudov in Resurrection.

       

War and Peace is generally thought to be one of the greatest novels ever written, remarkable for its breadth and unity. Its vast canvas includes 580 characters, many historical, others fictional. The story moves from family life to the headquarters of Napoleon, from the court of Alexander I of Russia to the battlefields of Austerlitz and Borodino. It was written with the purpose of exploring Tolstoy’s theory of history, and in particular the insignificance of individuals such as Napoleon and Alexander. Somewhat surprisingly, Tolstoy did not consider War and Peace to be a novel (nor did he consider any of the great Russian fictions written up that time to be novels).

       

ew becomes less surprising if one considers that Tolstoy was a novelist of the Realist school who considered the novel to be a framework for the examination of social and political issues in middle class life. War and Peace (which is really an epic in prose) therefore did not qualify. Tolstoy thought that Anna Karenina was his first true novel, and it is indeed one of the greatest of all realist novels.
After Anna Karenina, Tolstoy concentrated on Christian themes, and his later novels such as The Death of Ivan Ilyich (1884) and What Then Must We Do? develop a radical anarcho-pacifist Christian philosophy which led to his excommunication from the Orthodox church.

       

g>Religious and political beliefs

       

Tolstoy’s Christian beliefs were based on the Sermon on the Mount, and particularly on the comment about turning your cheek, which he saw as a justification of pacifism. These beliefs came out of a middle aged crisis that began with a depression so severe that if he saw a rope it made him think of hanging himself, and he had to hide his guns to stop himself committing suicide.

       

Yet out of this depression came his radical and very original new ideas about Christianity. He believed that a Christian should look inside his or her own heart to find inner happiness rather than looking outward toward the church or state. His belief in non-violence when facing oppression is another distinct attribute of his philosophy. By directly influencing Mohandas Gandhi with this idea Tolstoy has had a huge influence on the nonviolent resistance movement to this day. He believed that the aristocracy were a burden on the poor, and that the only solution to how we live together is through Anarchy. He also opposed private property and the institution of marriage and valued the ideals of chastity and sexual abstinence.
Tolstoy had a profound influence on the development of anarchist thought. Prince Peter Kropotkin wrote of him in the article on Anarchism in the 1911 Encyclopędia Britannica:
Without naming himself an anarchist, Leo Tolstoy, like his predecessors in the popular religious movements of the fifteenth and sixteenth centuries, Chojecki, Denk and many others, took the anarchist position as regards the state and property rights, deducing his conclusions from the general spirit of the teachings of Jesus and from the necessary dictates of reason.

       

l the might of his talent he made (especially in The Kingdom of God is Within You) a powerful criticism of the church, the state and law altogether, and especially of the present property laws. He describes the state as the domination of the wicked ones, supported by brutal force. Robbers, he says, are far less dangerous than a well-organized government. He makes a searching criticism of the prejudices which are current now concerning the benefits conferred upon men by the church, the state and the existing distribution of property, and from the teachings of Jesus he deduces the rule of non-resistance and the absolute condemnation of all wars. His religious arguments are, however, so well combined with arguments borrowed from a dispassionate observation of the present evils, that the anarchist portions of his works appeal to the religious and the non-religious reader alike.

       

A letter Tolstoy wrote to an Indian newspaper entitled “A Letter to a Hindu” resulted in a long-running correspondence with Mohandas Gandhi, who was in South Africa at the time and was beginning to become an activist. The correspondence with Tolstoy strongly influenced Gandhi towards the concept of nonviolent resistance, a central part of Tolstoy’s view of Christianity. Along with his growing idealism, he also became a major supporter of the Esperanto movement.

       

was impressed by the pacifist beliefs of the Doukhobors and brought their persecution to the attention of the international community, after they burned their weapons in peaceful protest in 1895. He aided the Doukhobors in migrating to Canada.

       

In 1904, during the Russo-Japanese War, Tolstoy condemned the war and wrote to the Japanese Buddhist priest Soyen Shaku in a failed attempt to make a joint pacifist statement.
Tolstoy was an extremely wealthy member of the Russian nobility. He came to believe that he was undeserving of his inherited wealth, and was renowned among the peasantry for his generosity. He would frequently return to his country estate with vagrants whom he felt needed a helping hand, and would often dispense large sums of money to street beggars while on trips to the city, much to his wife’s chagrin.

       

He died of pneumonia at Astapovo station in 1910 after leaving home in the middle of winter at the age of 82. Thousands of peasants turned out to line the streets at his funeral.

       

Works

       

Childhood (1852)
Boyhood (1854)
Youth (1856)
Sevastopol Stories (1855-56)
Family Happiness (1859)
The Cossacks (1863)
Ivan the Fool: A Lost Opportunity (1863)
Polikushka (1863)
War and Peace (1865-69)
A Prisoner in the Caucasus (1872)
Father Sergius (1873)
Anna Karenina (1875-77)
A Confession (1882)
The Death of Ivan Ilych (1886)
How Much Land Does a Man Need? (1886)
The Power of Darkness (1886), drama
The Fruits of Culture (play) (1889)
The Kreutzer Sonata and other stories (1889)
The Kingdom of God is Within You (1894)
Master and Man and other stories (1895)
The Gospel in Brief (1896)
What Is Art? (1897)
Resurrection (1899)
The Living Corpse (published 1911), drama
Hadji Murad


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