SANFORD MEISNER Biography - Educators, philosophers & public speakers


Biography » educators philosophers public speakers » sanford meisner


Born August 31, 1905, and raised in Brooklyn, New York, Sanford Meisner                 
graduated form Erasmus Hall in 1923 and attended The Damrash Institute of Music         
(now Juilliard), where he studied to become a concert pianist before talking his       
way into a job in a                                                                     
Theater Guild production of Sidney Howard's They Knew What They Wanted. He             
realized then that acting which really "dug at him" was what he was looking to         
In 1931, a fervent group of young actors, including Meisner, Stella Adler, Lee         
Strasberg, and Harold Clurman, among others, joined together to establish the           
Group Theatre. It was the first permanent theatre company that brought "Method"         
acting, rooted in the methods of Konstantin Stanislavsky, to practice and               
prominence in America. Meisner appeared in twelve Group productions, including         
the first, The House of Connelly, and all of Clifford Odets' plays, including           
Waiting for Lefty, which Meisner co-directed with Odets in 1935.                       
In 1933 Meisner became disenchanted with pure "Method" acting. He wrote, "Actors       
are not guinea pigs to be manipulated, dissected, let alone in a purely negative       
way. Our approach was not organic, that is to say not healthy." Meisner had             
ongoing discussions about technique with Adler, who worked with Stanislavsky in         
Paris, and Clurman, who took a deep interest in the American character.                 
Eventually Meisner realized that if American actors were ever going to achieve         
the goal of "living truthfully under imaginary circumstances," an American             
approach was needed. The Neighborhood Playhouse provided him with a venue to           
develop that approach on his own.                                                       
In 1935 he headed the Drama Department at The Playhouse, while continuing to act       
and direct plays produced by The Group Theatre until its demise in 1940. He also       
appeared on Broadway in Embezzled (1944) and Crime and Punishment (1948). He           
directed The Time of Your Life (1955) and acted in The Cold Wind and the Warm (1958).   
Meisner left The Playhouse in 1958 to become director of the New Talent Division       
of Twentieth Century Fox. He moved to Los Angeles, where he was also able to           
cultivate his career as a film actor. He starred in Odets' The Story on Page One       
(1959), Tender Is the Night (1962), and later Mikey and Nicky (1976).                   
He returned to the Neighborhood Playhouse as head of the Drama Department from         
1964-1990. In 1985 Meisner and James Carville co-founded The Meisner/Carville           
School of Acting on the Island of Bequia in the West Indies. They later extended       
the school to North Hollywood, California, where it still exists with Martin           
Barter as Artistic Director and head teacher. Meisner, Carville, and Barter             
opened The Sanford Meisner Center for the Arts in March 1995, and later the             
school and theatre were combined to form The Sanford Meisner Center, today the         
only school and theatre to operate under Meisner's name.                               
Meisner received commendations from Presidents Clinton, Bush and Reagan. He was         
honored by California Governor Pete Wilson and was named the "Humanitarian of           
the Year 1990" by The Washington Charity Awards. His final appearance as an             
actor was in a guest starring role on a special episode of "ER" that aired in           
February 1995. Upon his death on February 2, 1997, Backstage West dedicated an         
issue to Meisner and his world-renowned "Meisner Technique."                           
Arthur Miller once said of Meisner, "He has been the most principled teacher of         
acting in this country for decades now, and every time I am reading actors I can       
pretty well tell which ones have studied with Meisner. It is because they are           
honest and simple and don't lay on complications that aren't necessary."